Moral Panic

Daniel Shields

Resources, homework and revision for Mr Shields English and Media classes. Cover photo Kristina Alexanderson / CC BY-NC-SA

Showing all posts tagged "A Level"

They Live and ideology

Slavoj Zizek's insightful analysis of They Live

Awesome end credits


This end sequence for Sunset Overdrive, was made up of a montage of fake band posters carrying the developer's names. These posters were made through a combination of digital art and original photography, then printed out, stuck on wooden boards, pasted on like real gig posters and shot on camera. Felix Mack from Nightjar shows that creativity can engage an audience in an aspect of a production that is often sadly ignored, the well deserved credit.

Building an Identities case study

A student doing a case study on national identity and news could choose a major national event, such as the:

  • The fatal attack on the soldier Lee Rigby in London
  • The fire fighters' strike
  • The Syrian crisis in the wake of a chemical weapons attacks or the peace talks
  • Edward Snowden’s leaks on US spying practices
  • Same-sex marriage becoming legal in England and Wales
  • The fear of Romanian immigrants 'flooding' to the UK in January 2014

They would then choose a range and variety of media products to focus on.
These could include, for example:
  • BBC news coverage at the time
  • YouTube citizen journalist video
  • Analysis of the events by an alternative news website in the week following the story
  • A non British news source's coverage
Plus briefer use of other media products to support, for example a selection of Twitter comments from one person who was involved, one story from a newspaper's website, a satirical news websites take on the story, etc.
Students could consider the following questions:
  • What national identity or identities are being constructed?
  • What ideas and values do the identities communicate?
  • What is the role of mainstream and alternative media?
  • What is the role of the audience? How could audiences and different audiences use and respond to the different products?
  • What is the impact of social media and user generated content?
  • How and why are collective identities formed?
  • Are the products and identities similar or different, why? Does one national identity dominate or are there diverse or contradictory identities? Why is this, considering, for example, producers, production, aims and audiences?
  • How do the national identities reflect and reinforce power in society?
Students also need to consider and apply a number of media issues, debates, theories and wider contexts. For example when considering national identity, students could investigate:
  • the changing roles and power of audiences and debates about active and passive audiences
  • pluralist versus Marxist ideas
  • the role of social media and audiences as producers of news
  • postmodern ideas about fragmented identities
  • post colonial arguments about UK/non-UK identities
  • the rise of different news sources and how audiences use and respond to them
  • are they more diverse and open or is there a move back to narrower, more traditional identities?
  • what are there economic reasons behind the identities?
  • what are the possible effects on democracy?

OCR Foundation Portfolio Examples

Charlotte and Sarah's entries are particularly good. Charlotte's evaluation is the recommended style.

Identity

Identity

  1. Mainstream media is a powerful influence on the construction of an individual’s identity. Use your case study to explore the impact of the media in the construction of identities.
  2. ‘We are defined by the media we use.’ How does your case study suggest audiences use the media to construct their own identity?
  3. ‘Social media has only served to reinforce existing values and ideologies’. Does your case study suggest social media has played a positive or negative role in the construction of identities?
  4. ‘The variety of media available encourages us to create many different identities for ourselves’. How far do you agree with this statement?
  5. How are constructions of identity used by media producers and why are they so popular?
  6. Audiences are now too sophisticated to be taken in by negative and stereotypical constructions of identity. Do you agree?
  7. There are a wide range of constructions of identity in the media and audiences are free to choose how they interpret them. Do you agree?
  8. How and why do alternative constructions of identity challenge mainstream values and ideology?



New digital Media

  1. The world first heard about the resignation of Jeremy Clarkson from the Twitter.
  2. How has new/digital media changed the ways in which information reaches audiences and what are the implications
  3. “New and digital media offers media producers different ways of reaching audiences". Consider how and why media producers are using these techniques.
  4. ‘New and digital media erodes the dividing line between reporters and reported, between active producers and passive audiences: people are enabled to speak for themselves.’ (www.indymedia.org.uk)
  5. Have such developments made the media more democratic, with more equal participation by more people
  6. Although new and digital media may promise audiences more freedom, it does not necessarily give them more power. Discuss.
  7. New and digital media is creating one global culture. Do you think that this is true?

Film a feature on I phones

Sean Baker (Four Letter Words, Take Out, Prince of Broadway, Starlet) premiered his new film Tangerine at the 2015 Sundance Film Festival. A Q&A followed the screening during which Baker revealed that the film was shot entirely using three iPhone 5S phones.
This film follows the trails and tribulations of two trans gendered prostitutes in LA.

Immersive entertainment and the changing face of e-media

Julian McCrea's real-time five-day suspense thriller, the Craftsman has a novel new twist on the ebook, blurring the boundaries between forms.

McCrea thrills with immersive Craftsman from C21Media on Vimeo.




Art mirrors life

App-users at the SXSW festival have been unwittingly mimicking the plot of Ex Machina, by finding themselves quizzed by a gorgeous robot-in-disguise. This way of generating a viral buzz that doesn't feel as gimmicky as it should as it ties in quite neatly with its key themes. Check out the guardian article here.

Kingsmen Marketing masculinity

Media Product One- Webpage from www.kingsmanmovie.com (01/03/15)

Media Product Two- Kingsman: The Secret Service Trailer (Published on 22 Sep 2014)

Media Product Three-Kingsman publicity poster (Published on October 2014)

Kingsman: The Secret Service is a 2014 spy action comedy film, directed by Matthew Vaughn, and based on the comic book The Secret Service, created by Dave Gibbons and Mark Millar. The screenplay was written by Vaughn and Jane Goldman. The film stars Colin Firth, Samuel L. Jackson, Mark Strong, Taron Egerton and Michael Caine.

Kingsman follows the recruitment and training of a potential secret agent, Gary "Eggsy" Unwin into a secret spy organisation. Although he is not recruited for the Kingsman organisation, Eggsy joins a three-man mission to tackle a global threat from an eco-terrorist billionaire. The film had general release in the United Kingdom on 29 January 2015. In the United States 20th Century Fox released it on 13 February 2015 after delays. The film received positive reviews, and has grossed over $171 million worldwide.

The premiere of the film was held in London, with director Vaughn and stars Firth, Egerton and Strong attending, and Take That performing the film's theme live. A regional premiere was held in Glasgow at exactly the same time as the London event, and live footage was streamed from the premiere to Glasgow. Mark Millar also hosted a charity screening of the film ahead of its release in Glasgow to raise money for his old school, St. Bartholomews.

The trade paperback collecting the comic miniseries was released on 14 January 2015. Director Matthew Vaughn teamed up with luxury retailer Mr Porter to create a 60-piece clothing line based on the film and changed the film's name from The Secret Service to Kingsman: The Secret Service. Mr Porter worked with the film's costume designer, Arianne Phillips, to design the bespoke suiting, while everything from the ties and shirts to eyewear, umbrellas, shoes and watches were designed by heritage brands such as Cutler and Gross, George Cleverley, Mackintosh and Bremont. The collaboration is the first of its kind, making Kingsman: The Secret Service the first film from which customers can buy all of the outfits they see.

The film includes significant product placement for Adidas Originals

Production Companies

* Twentieth Century Fox Film Corporation (presents)

* Marv Films (as Marv)

* TSG Entertainment (made in association with)

Distributed by 20th Century Fox (2015) (UK) (theatrical)

1. How does Kingsman create a strong brand identity in these broadcast and online products? (8 Marks)

2. How is Masculine identity constructed to appeal to the audience? You may also refer to other media products to support your answer. (12 Marks)

3. How important is it for Film producers to have a multi-platform presence? You should also refer to other media products to support your answer. (12 Marks)

Constructions of femininity and empowerment


How is feminine identity constructed in this advert to appeal to an audience?
How transgressive a construction of female identity is this advert? Or does it reinforce dominant hegemonic norms?
How is the iconography of the war film used to to subvert hegemonic norms of gender identity?