This end sequence for Sunset Overdrive, was made up of a montage of fake band posters carrying the developer's names. These posters were made through a combination of digital art and original photography, then printed out, stuck on wooden boards, pasted on like real gig posters and shot on camera. Felix Mack from Nightjar shows that creativity can engage an audience in an aspect of a production that is often sadly ignored, the well deserved credit.